Thursday, August 15, 2019

Clubhouse



This is the good result of a good morning's work - head down, ear tuned to BBC radio listening to Lyse Douset interviewing women who changed the world and mind focused finishing a design 2 months late. These drawings are done in pencil on butter paper and touched up in some parts of IKEA children's markers and colour pencils.
I have days when I don't have time to draw, and on those days I feel like I haven't done any work at all.


Saturday, August 3, 2019

Continuing Personal Development



These days, we are spoilt for choice when it comes to design conferences; in June, there was SHIFT 2019 organized by DOMA Initiatives  in Kuala Lumpur, and then PAM’s KLAF which combines DATUM:KL, DATUM:GREEN and DATUM+PLUS into a 3-day architecture design festival  in July, and more recently Swinburne University’s Good Design Week in Kuching.

Having attended all 3 of them, I will attempt to curate the experience – starting with SHIFT 2019, which took place at Taylor’s University on the 22-23 June 2019 with 9 speakers from China (Wei Na, Dong Gong, Liu Jia Kun), Korea (Chan Joong Kim), Thailand (David Schafer), the UK (Kevin Carmody, Christopher Lee, Prof. Hanif Kara) and Sri Lanka (Milinda Parathiraja). The moderators were from the UK (Haruo Morishima),  China (Liu Xiao Du) and Malaysia (Huat Lim and Suzanne Zeidler)., I thought that Huat did an excellent job summing up questions (especially from the students) and directing the Q&A into a lively and informative conversation. Of the speakers, I thought that the trio from China represented a good cross section of architectural practices. Wei Na from ELEVATION WORKSHOP, whose work is very visual with a large following on social media, while Dong Gong of VECTOR ARCHITECTS cleverly talked about the behind-the-scenes processes and journeys in his Alila Hotel project – telling us enough to look for his projects on-line, and Lui Jia Kun from Szechuan who presented in Mandarin, describing his contributions to the community via his architecture – relief-housing, a memorial and the West Village in Chengdu. The conference was RM 230 over 2-days, without lunch although tea and coffee was provided. It was organized as a CSR project* with Taylors University providing the venue free of charge. The event had an air of youthful exuberance and inclusiveness, no doubt aided by the dozens of volunteers from the university and local practices, and the 550-pax agora style auditorium. I was told that the event was over-subscribed, and there are plans to hold it at KLCC next year in March.

I am looking forward to next year’s event.

KLAF has grown from a 2-day event to a 3-day event this year, it combines DATUM:GREEN and DATUM+PLUS with DATUM:KL. At the registration on DAY 1, I overheard a fellow Sarawakian asking if he could buy tickets for only one day’s lectures – he couldn’t, it was a 3-day package for RM 750(lunch and tea breaks provided). There were numerous lectures interspersed with a speech by YB Yeo Bee Yin, the Minister for Energy, Science, Technology, Environment and Climate Change, the conferring of the PAM GOLD Award, and the Architecture Asia Award for Emerging Architects. I enjoyed many of the presentations by this year’s speakers, but that was my problem – there were two many of them over three days. I can remember the project but cannot recall which architect designed it; not many of the speakers spoke to the conference’s theme.  ‘TOMORROW” was a little too vague to direct the conversation, so we ended up with a nice buffet of good presentations. A close friend who also attended thinks that this is because there wasn’t a star architect; others thought our home-grown Teo Ah Khing was the true keynote, having shown how he has broken the glass ceiling for Malaysian architects to practice “Tomorrow”.

I am looking forward to attending the KLAF fringe next year.

The Good Design Week was a collaborative effort by Curtin University in Perth and Swinburne University, with co-chairs from both universities; Ar. Prof. Khoa Do and Ir. Prof. Lau Hieng Ho respectively.
 The conference aimed to bring applied design research, practice, governance and scholarship to examine good design for community, housing, culture, heritage, resources, eco-tourism and creative economy. This was a good opportunity for Swinburne University to host foreign delegates and students (from Curtin University’s Perth campus) – the conference was well attended by local practitioners and academics.

I was looking forward to more participation by local universities.  

To conclude, attending design conferences is like a quick fix; a shot of caffeine to boost the creative enzymes but for more sustained results, the lessons taken away have to be recorded and put to use.