From model to project

When we were designing the Sibu Heritage Centre, we divided the project up into several design packages: entry courtyard, the entrance 'funnel' structure, the ramp leading to the first floor, the interior exhibition, etc for several team members to undertake its design and execution. 

We had some difficulty starting the exhibition design, until someone remarked that the circular floor plan reminded her of a board game. This was especially apt as we are keen to conduct the movement of the museum visitors and sequence the display of the exhibits. We merged this idea with another which depicts the movement through Sibu's alleyways and lanes; ducking under canvas canopies and weaving in between street stalls and furniture.

The completed 'project' allowed the casual visitor to walk on the outside to gain cursory knowledge about the exhibition - reading the headlines so to speak. The interested parties such as these students would delve into 'alley-ways and lanes' to discover a more in-depth experience of Sibu's history. 

This project was completed in 2011

 

Going, Going, Gone

On the 4th of July, I sent a message to my clients, fellow consultants, friends and students -

"As of the 4^th of July, I have resigned from DNA (Design Network Architects S/B) and will be continuing my work as MinWee Architects from two addresses:

• 44, Upper China Street in Kuching where I will be working closely with Arlene Chew and Leong Gian Wen
• and at  B-25-09, Mercu Summer Suites, No. 8 Jalan Cendana, off Jalan Sultan Ismail in Kuala Lumpur where I will be working with Lee Peng Hui.

My email address and mobile phone no. will remain unchanged".

Clearing up my table at DNA where I sat for 6 years

My close friends wondered aloud if I was sad to leave DNA; having help found it 14 years ago and having build it up architecturally to its current good reputation. They likened it to giving up a teenage child to foster care - when they put it that way, I suppose I should feel a little sad. But no, there is a little apprehension, plenty of excitement and a equal amount of relief. No sadness.

The new office space - it is narrow with a high vaulted ceiling

The front entrance is painted completely white; an abstraction of the typical shop house facade

Those who do not know me well would speculate that I left because of money matters but this workhorse is tired and looking for work that would sustain me spiritually and financially for the next 15 years.

She is happy with it, and that's important to me.